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Gavin's Woodpile- The Bruce Cockburn Newsletter Online

MEDIA ARCHIVES

2007 MEDIA

 

Posted: December 18, 2007
Canadian Newswire

True North Records announces strategic investment by Canadian group led by Linus Entertainment.

TORONTO, Dec. 18 /CNW/ - Bernie Finkelstein, founder and President of
True North Records, a division of High Romance Music Ltd, Canada's oldest
independent record label that owns many of Canada's most historic recordings
including the catalog of Bruce Cockburn, Murray McLauchlan, Blackie & The
Rodeo Kings, Rough Trade as well as emerging artists Golden Dogs, Hunter
Valentine and Catherine MacLellan, today announced the completion of a
strategic investment by Linus Entertainment, entrepreneurs Harvey Glatt, and
Mike Pilon.

Linus Entertainment is home to prominent Canadian recordings by Gordon
Lightfoot, Sophie Milman, Ron Sexsmith, Alannah Myles, Quartetto Gelato,
Downchild, and Ashley MacIsaac. Both companies are distributed in Canada by
Universal Music.

Finkelstein, a recipient of the Order of Canada and inductee into the
Canadian Music Hall of Fame, will remain with True North as Chairman and as a
long term consultant, while Linus Entertainment CEO Geoff Kulawick becomes CEO
of both companies, and will be responsible for day-to-day management.

Finkelstein Management and the publishing interests of Bruce Cockburn are
not a part of the deal and both will continue to be operated by Mr
Finkelstein.

Said Mr. Finkelstein of the deal, "It's been a long, interesting and
fulfilling road starting and building True North these past 38 years but all
things must change. It's been a thrill to work with all the wonderful
musicians and on all of the great records we've done together over the years
but it's time for True North to have new direction and energy. I think Geoff
Kulawick and his partners will bring those qualities to True North and I'm
looking forward to continuing my commitment to True North as Chairman."

Said Mr. Kulawick, "The True North label, and Bernie in particular have
been an inspiration to me. It is my goal to see True North continue to grow,
and its great roster of artists reach even more people. The most powerful form
of communication is music, and through the incredible talent of artists like
Bruce Cockburn, music can influence, and change people."

 


Posted: December 15, 2007
D. Keebler

Annabelle Chvostek, formerly of the Wailin Jennys, has co-written a song with Bruce for her upcoming album. I received the following email from her:

The record will be out in Spring 2008 and we're still mixing and mastering.

Bruce sings and plays acoustic guitar with me on the album.  It kind of captures the feel of the songwriting process... two guitars, two voices, plus we've got some additional bells and whistles (Julie Wolf for example.)

It'll be called Resilience, I think, and the song is called Driving Away.


Posted: December 2, 2007

Ontario, Quebec sweep folk awards
Cockburn shut out as Anne Lindsay, Creaking Tree string quartet lead prize list
 
Patrick Langston
The Ottawa Citizen
Sunday, December 02, 2007


Central Canada-based musicians ganged up on the rest of the country at the third annual Canadian Folk Music Awards last night, sweeping 15 of 18 prizes during a celebration of all things folk at the Canadian Museum of Civilization.

Toronto led the charge.

That city's fiddler Anne Lindsay won Best Solo Instrumentalist and shared Producer of the Year with her co-producer Oliver Schroer for her sophomore album, News From Up the Street. The Creaking Tree String Quartet, also from Toronto, won the Best Group Instrumentalist and Pushing the Boundaries awards for their third album, The Soundtrack.

With Toronto-to-Quebec-City-corridor musicians like Tanglefoot, Elphin, Ont.-based David Francey and Hugo Fleury, of the recently disbanded group Polemil Bazar, toting up wins, westerners -- including Winnipeg's Grammy-nominated the Duhks -- took home a scant three trophies. Maritimers, despite a clutch of names among the 90 nominees, went winless.

Last night, though, was about harmony, not regionalism. Toronto's Rita Chiarelli showed that by gamely stumbling through a few lines of French while accepting the Solo World Artist award for her album Cuore: The Italian Sessions.

CBC Radio's Shelagh Rogers and Quebec musician Benoit Bourque hosted the evening, which opened with the sweet, jaunty sounds of guitar and fiddle greeting 500 folk fans as they entered the museum's towering Grand Hall. Other musicians, including Vishten, T. Nile and Ottawa-based Galitcha, performed during the evening, their tunes a Canada-worthy mosaic of everything from Northern Indian to Celtic influences.

"We had the best sound check we've ever had today," producer Bill Garrett said before the show. Garrett added that over the past three years, the event has become an integral part of the Canadian folk scene. "At first, it was, 'Oh God, not another awards show.' But it's been really well accepted."

There were, as befits any awards show, some surprises. Veteran Bruce Cockburn was bumped four times from the winners' circle. Upstart Sarah Noni Metzner, who took Best Solo Artist for Daybreak Mourning, was among Cockburn's bouncers.

"I'm not often rendered speechless, but I was then," said Metzner later. "Bruce is a huge hero of mine."
Last night also saw legendary record producer and music impresario Samuel Gesser winning the Canadian Museum of Civilization's first-ever Resonance Award for outstanding lifetime contributions to Canada's musical heritage. Gesser was instrumental in presenting the likes of Gordon Lightfoot, violinist Jean Carignan and Glenn Gould to the Canadian public and the world.

© The Ottawa Citizen 2007


Posted: November 26, 2007
My thanks to Alex Roslin for permission to reprint this article, found on his blog here.

Christian soldier finds hope in a fallen world
by Alex Roslin
Prairie Dog News

August 2, 2007

“I was never a pacifist. I think peace is better than war and that non-violent solutions are much better if you have the option of finding those… But I think sometimes it comes down to you have no choice.”

We all know Bruce Cockburn is a deep guy. Hey, he’s the dude who sang about rocket-launchering “some son of a bitch” after a visit with Guatemalan refugees in Mexico during the U.S.-sponsored death-squad wars in Central America in the ’80s.

“How many kids they’ve murdered only God can say,” he sang. “If I had a rocket launcher, I’d make somebody pay.”

Heavy stuff for sure, but I bet you weren’t aware just how deep Cockburn really is.

Did you know, for example, that Cockburn has six honorary doctorates — the latest one in divinity from Queen’s University? Or that Cockburn became a devout Christian in the early 1970s and still is today? Or that his politics and love ballads alike are rooted in a deep spirituality that also draws on Sufism, Buddhism and C.S. Lewis?

Mind you, Cockburn isn’t the same kind of Christian as George W. and his buddies. He’s, well, you know, the deep kind — a hippy Christian, one might say.

“Other Christians might not call me a Christian,” Cockburn tells me from England, where he is on tour before he comes here for the Regina Folk Festival on Aug. 11.

“Now I don’t really know what I am,” says Cockburn. “But I am someone who feels that God is important and that spirituality is something around which life centres. What bears paying attention to is the force around which the cosmos turns. I want to know what that force is and how it bears on my life.”

And if you’re wondering if Cockburn has mellowed out or something silly like that, fear not. He hasn’t. Twenty-four years after his 1983 hit “If I Had a Rocket Launcher”, the 62-year-old Cockburn may have 29 albums under his belt and be an officer of the Order of Canada. But he says he still believes in the same principles.

“I was never a pacifist,” he says. “I think peace is better than war and that non-violent solutions are much better if you have the option of finding those… But I think sometimes it comes down to you have no choice.

“I can say for myself, ‘You go ahead and shoot me; I don’t care. I’m not going to raise a hand against you. The guilt’s on you.’ But I can’t say that on behalf of my granddaughter … If I’m in a position to try to defend her, I have to exercise that choice. This is where the notion of pacifism breaks down for me… Sometimes you just don’t have the choice.”

Does Cockburn see anywhere today where he feels a rocket launcher is warranted?

“I don’t know of a situation I can think of readily where it’s clear cut,” he says. “[But] what happens if the equivalent of the Taliban becomes ascendant in North America? What do we do about it?”

By Taliban, Cockburn is talking about some of the Christian fundamentalist types who support George W. Bush. As you can see, he doesn’t like some of his co-religionists much.

“[Their] desire to inflict on the world this rigid, narrow view of things can’t be tolerated,” Cockburn says.

“I could see that somewhere way down the road that might turn into a situation that involved violence,” he adds. “I think we’re a long way from that actually, but I could imagine a scenario where that might become viable. I see it as something I would resist if it came my way or, more specifically, if it came in the direction of my female loved ones… I’m not going to put up with a lack of intellectual freedom, and I’m not going to put up with a whole bunch of other things. So sooner or later, that attitude might get me into a violent confrontation with someone.”

Apparently, despite views like that, Cockburn isn’t on the no-fly list. At least not that he knows.

“So far, no one’s told me,” he says, laughing. “I got here on a plane.” How is that possible, you ask? What kind of dumb-asses are they hiring at the CIA these days?

Cockburn says he’s never even noticed anyone following him in dark glasses. “The only time I felt I was followed around was in Pinochet’s Chile.”

Cockburn’s latest album, Life Short Call Now — his first studio album in three years — bares his thoughts on life, love, the environment, and Iraq, which he visited in 2004, and includes a duet with fellow guitar virtuoso and politically minded songwriter Ani DiFranco (who, incidentally, headlined last year’s folk festival).

He chose the title because it highlighted the loneliness he felt at the time (he was between relationships) and the “precariousness we live with at the moment,” he says.

“[But] if you bother to think about things, life is always precarious, and it’s a reflection of that too... Partly, it’s to do with age. The further you get from zero, the closer you get to the other zero.”

As for Iraq, Cockburn thinks Bush is going to hell. “It was a horrible thing to set in motion. Bush and company have a lot to answer for. They had problems [in Iraq under Saddam Hussein]. But they had a level of security that they sure don’t have now. We should be protesting. We should be voting against it and trying to mitigate it however we can,” he says.

But Cockburn is heartened that today’s anti-war movement stacks up well against the peace movements of the ’60s and ’80s. He says he saw few protests during his tours of the U.S. when the war was first launched, but that’s now changed.

“For a while it looked discouraging. All the people with official voices couldn’t wait to fall in line behind the war. Touring the States in that period, you felt fear everywhere,” he said.

“That’s changed. Now, while there is fear, people are speaking out much more.”

At the same time, Cockburn believes we get the kind of society we deserve and that, moreover, we all have the seed of evil within us. Cockburn included. “I do have it within me for sure,” he says. “I’ve been lucky. I never had a situation where that was fostered. I’m certainly capable of fits of unthinking anger. [But] I’ve had good teachers and good role models.”

After his shows in Western Canada — his tour includes stops in Alberta and B.C. —Cockburn’s busy schedule includes heading to Argentina for a six-week Spanish course and a trip to Nepal with a Canadian humanitarian-aid group.

During his convocation speech at Queen’s University in May, Cockburn talked about an earlier trip to Nepal. He said he was hiking in the foothills around Mount Everest when he came across an elderly American former seminary teacher who had come to Nepal 25 years earlier to preach the Gospel and was returning to the U.S. “He was bitter and seemed diminished,” Cockburn said. “He said that in 25 years he had not made a single convert. His words were, ‘These people don’t want to know about God.’

“I felt terrible for him, as he appeared so oblivious to the spiritual surroundings. He’d spent a quarter of a century not learning what he might have about God!”

Cockburn tells me he’s felt the “magic” of God — or some “bigger reality,” as he puts it — many times in his life, and that’s what gives him hope.

“There is a lot of magic out there in the world. There is incredible stuff that happens. In worldly terms, I’m not very hopeful. But where there is hope is in those moments of magic.


Posted: October 22, 2007
True North

Bruce has been nominated for four Canadian Folk Music Awards for his 2006 release, Life Short Call Now.

  • Best Songwriter- English
  • Best Singer- Contemporary
  • Best Solo Artist
  • Producer of the Year- Jonathan Goldsmith for Life Short Call Now

The awards are to be given out on December 1, 2007, at the Canadian Museum of Civilization in Gatineau, Quebec.


Posted: August 30, 2007
Fernie Finkelstein

The following is from an email I received from Bernie Finkelstein on August 28, 2007

Bruce will be doing two shows in Utah at the Moab Folk Festival on November 2 and 3rd. Other than those two shows the rest of the year will be spent traveling and writing.

He will be in Buenos Aires until mid October (he's on his way there now). It's a personal trip with the only agenda being to learn to speak some Spanish.

After the Moab Folk Festival he will be going to Nepal. This will be on the 20th anniversary of his first trip to Nepal. This trip is being done with the USC (Unitarian Service Committee) who he has worked extensively in the past as you no doubt are aware of. He will be in Nepal for around 3 weeks and will be reporting back on what he sees there via the USC.

The only shows we have confirmed for 2008 are both in Alaska:

May 9   Anchorage
May 10   Fairbanks

More details will be available on both of these dates later but they are both Bruce solo concerts.

Beyond that we aren't certain of what else may be happening in 2008 at this moment.

Two recent covers of Bruce's songs that I've been enjoying lately are:

Paper Rival doing Pacing The Cage
Donavan Frankenreiter doing Wondering Where The Lions Are

Bruce is in great spirits and had a very enjoyable and productive tour and is now looking forward to some down time.

Be well.


Posted: June 20, 2007

Blues-rock mainstay Richard Bell dies at 61
Keyboard wizard played with Janis Joplin, Bob Dylan, The Band and many others
June 19, 2007
Peter North
The Edmonton Journal
 
Richard Bell, one of the great instrumentalists of his generation and a pillar in the Canadian roots music scene, died Friday in Toronto at the age of 61 after a year-long battle with multiple myeloma.

Like so many of his peers, Bell broke onto the national scene in the '60s, as a member of The Hawks, Ronnie Hawkins' backup group. By the late '60s, he had been lured by artist manager Albert Grossman to take the piano chair in Janis Joplin's Full Tilt Boogie Band and for the next two decades, spent most of his time in the U.S., playing with the biggest names in blues and roots music.

Following Joplin's death, Bell quickly became a first-call player, landing tours and sessions with Bonnie Raitt, John Sebastian, Bob Dylan, Valerie Carter, Bobby Charles, Rick Danko, Paul Butterfield and many other respected and critically acclaimed acts of the day.

By the early '90s, Bell once again began to play a more prominent role on the Toronto scene, working on many projects in which Colin Linden was involved.

Bell split his time commuting to Woodstock, New York, as he had been drafted into a new edition of The Band with founding members Levon Helm, Rick Danko, and Garth Hudson.

Bell co-wrote the title track for The Band's comeback recording, Jericho, and his multifaceted keyboard playing was also featured on two subsequent Band albums, High On The Hog and Jubilation.

Over the past decade, Bell's talents were also captured on recordings by The Cowboy Junkies, Rita Chiarelli, David Wilcox, Burrito Deluxe and Pork Belly Futures.

For the first time in years, Canadians were given ample opportunity to hear Bell in concert settings as he toured the country numerous times with Bruce Cockburn, Linden, and Blackie and the Rodeo Kings.

"I grew up playing the blues, it's my thing," said Bell in an interview a few years ago.

In May, Bell was told his myeloma had returned and he was hospitalized as his health rapidly deteriorated.

A celebration of Bell's life will be held in Toronto tomorrow.

 
© The Ottawa Citizen 2007

From the depths of the mojo-slathered Memphis music scene comes this account as tasty as southern barbeque. Photo and words from Mark Loft, dweller in the aforementioned environment.

June 14, 2007
The Coffee House Concerts Series
Memphis, Tennessee 
It had been a tense week leading up to the show, as it really began to sink in just how big Bruce Cockburn is.  We had filled ticket mail-orders from as far away as Nevada, Maryland, even Winnipeg.  Bruce Cockburn doesn't have just fans, he has FANS, and we knew we had high expectations to meet.  At about 8:10 pm, raucous clapping spread across the room as the crowd rose for an extended and very vocal standing ovation.  You might have thought the Stones had just finished a show, but no, it was Bruce Cockburn entering the room.   He had the biggest grin on his face as he bounded up the left side of the audience to the stage, clearly delighted with the reception.  From that moment on, I knew the evening would take care of itself, and indeed it did.

I guess it shouldn't have been a surprise when I picked him up at the airport and found that he didn't look exactly like his publicity photos.  He'd shaved his beard (his girlfriend's request), and with the old clothes, the old hat pulled down low on his head, he wasn't wearing anything close to that black leather jacket that makes him look so cool in the photos...  his attempt at traveling incognito, I suppose.  Very polite, very direct, as soon as we were in the car he was on his cell phone finalizing dinner plans for that night, the next night in Birmingham, and two nights later in New York.   He struck me as one of those people who has friends everywhere, no matter where he is.  Sound check before the show and he's in complete control.  He knows what he wants, and again is as polite, professional, and direct as anyone.  Thank goodness my sound guys can give him what he's looking for! Once he was on stage, I was completely mesmerized.  "He's bad-ass, ain't he?" someone whispered to me early in the first set.  The guy can play, boy, can he play.  He sings his heart out.  He's funny, sincere, and talented.  His performance left me with the thought that he gives his all, and doesn't hide behind a name, a reputation, or anything else.  He was there to play and sing, and he did it like no one else.  Regarding future performers for the Coffee House Concerts Series, I don't know if I'll ever top this show.  Ever.

 


Posted: June 14, 2007

Singer-songwriter Bruce Cockburn pours a message into politically charged albums

By Mark Jordan
Special to The Commercial Appeal
June 8, 2007

Bruce Cockburn is driving around Toronto as he squeezes in our interview.

"This high school kid is walking across the crosswalk in front of me," he complains of one straggler at a stoplight. "He's staring off into space and totally ignoring the fact that there's a car pointed at him. I'm glad I'm not an adolescent still."

Cockburn is more than 40 years and 29 albums removed from his adolescence. And no one can accuse the Canadian singer-songwriter, whose politically charged albums often reveal a deep streak of humanism, of staring off into space.

Cockburn (pronounced Co-burn) is on the move a lot these days. On Thursday he performs here at the Church of the Holy Communion as part of the Coffee House Concert Series, kicking off a rambling two-month tour that will take him into the Deep South, the Northeast, across Canada, and even to England. When he gets back, he and his girlfriend head to Buenos Aires for a six-week Spanish immersion course and then to Nepal for a month on behalf of a Canadian humanitarian aide organization.

But first he has to head to St. John's to receive an honorary doctor of letters from the Memorial University of Newfoundland.

"Yeah, another one of those; it's been a busy season for that stuff," says Cockburn, who has already received two other honorary doctorates this year, bringing his career total to six.

"I've had this kind of honor before, but never three in one year. It's been a bit stressful, actually, coming up with the various commencement addresses that have to accompany these things. It's not like you just get to go and get feted; you have to make a speech. And the speech part is not something that comes natural to me. I'm a lot more comfortable standing up in front of a crowd with a guitar than without."

Indeed, the recent accolades are not a result of Cockburn's academic accomplishments, which ended in the mid-'60s when he dropped out of the Berklee College of Music in Boston. But rather the honorifics are for his 40 years of "standing up in front of a crowd with a guitar," and they denote the regard in which Cockburn is held, especially in his homeland. Though he has a small, loyal following in the States, up north he has a reputation that can only be described as Dylan-esque. A holder of the prestigious Order of Canada, Cockburn is the recipient of numerous Juno Awards, a member of the Canadian Music Hall of Fame, and, perhaps most impressively, is held in near adoration by other musicians -- Jimmy Buffet, Jackson Browne, Ani DiFranco, and Jerry Garcia among them -- who have covered his songs over the years.

Born in Ottawa, Cockburn played in numerous bands in the '60s and made a memorable solo debut in 1969, as a last-minute replacement for Neil Young as the headliner of Mariposa Folk Festival, before recording his eponymous first album in 1970. For the next decade, Cockburn worked to hone his sound, a unique combination of folk, rock and jazz. The songwriter also distinguished himself with his lyrics, which increasingly reflected his blossoming faith in Christianity. This phase of his career probably reached its zenith with 1979's Dancing In the Dragon's Jaws, a typically mystical outing that featured his first U.S. Top 40 hit, "Wondering Where the Lions Are."

On the next year's Humans -- largely regarded as one of his best -- personal setbacks, including a divorce, inspired Cockburn to look more at the world around him. This resulted in a more world-beat influenced sound and lyrics that took on a much darker, activist tone. In 1984, this social consciousness got him noticed in the States again, when the angry "If I Had A Rocket Launcher," inspired by Cockburn's own experiences in Central America in the early '80s, became his second U.S. hit.

"The first time I was in a war zone was in Nicaragua," Cockburn says. "I lucked into being asked by Oxfam, the aide agency, to go and be a witness on their behalf to the work they were doing and the need for that work. I didn't go there looking for that. I went because I was curious."

Besides a hit song, Cockburn's experiences led to a habit of international aide work that has included previous trips to Nepal and, in 2004, to Iraq.

"The war had been over almost a year according to Bush," Cockburn says of his trip as part of a delegation put together by the nonprofit American Friends Service Committee to assess the humanitarian need in Iraq. "And the week we were there, there was one big car bomb that went off at the entrance to the Green Zone."

The experience became the centerpiece of Cockburn's new album, released last fall, Life Short Call Now. "This Is Baghdad" combines a full string section and a repetitive, Arabic-style guitar figure with Cockburn's pointed critique of the occupation: "Car-bombed and carjacked and kidnapped and shot/ How do you like it, this freedom we brought/ We packed all the ordnance but the thing we forgot/ Was a plan in case it didn't turn out quite like we thought."

"It took quite a while to figure out how to make a song out of all that, all those bits and pieces, but in the end I think I got away with it," Cockburn says. "When I wrote it, I had this vision of music. It always starts with the lyrics. Because the lyrics establish a kind of geographical plane, the music has to enhance and accompany. And I just envisioned very cinematic music to go with those lyrics."

The sweeping sound also complements "Beautiful Creatures," a less- concrete, brooding lament that ties the decay of the human condition to the very landscape. But on the Van Morrison-like "Mystery" the strings and a horn section lend an ecclesiastical majesty to Cockburn's acceptance of God's mysterious motives. Elsewhere the orchestral treatment gives a Gil Evans-feel to the album closer "Nude Descending A Staircase," one of the record's three instrumentals -- a trademark of Cockburn albums since the '70s and a curious one coming from a musician who admits putting words at the center of the songwriting process.

But don't expect any of that grandeur at Cockburn's Memphis show, he warns.

"It's kind of the antithesis of that," Cockburn says as he winds through the streets of Toronto. "It's just me."

More info:

Bruce Cockburn

8 p.m. Thursday at the Church of the Holy Communion, 4645 Walnut Grove Road.

Tickets are $25 in advance, $30 at the door. Advance tickets are available at High Point Coffee (4610 Poplar at Perkins Extended), Fiddler's Green Music Shop (5101 Sanderlin, No. 104B), and at Cat's Music Midtown (1569 Union).

Doors open at 7 p.m. Call 767-6987 for more information.

Copyright 2007, www.commercialappeal.com - Memphis, TN. All Rights Reserved.

 


Posted: June 14, 2007

Read The Wittenburg Door interview with Bruce here. It is from the March/April 2007 issue. Reprinted here in pdf format with permission. You will need Acrobat Reader to view it. It's a free download.


 

Posted: June 7, 2007

Devoted fan convinced the University of Victoria to honour Bruce Cockburn
 
by Matthew Gauk
The Times Colonist
Photo: Debra Brash
June 7, 2007
 

 

Catholic chaplains can rock out with the best of them.

Kate Fagan Taylor is a prime example. The Bruce Cockburn super-fan and former University of Victoria chaplain arranged for the folk-rock star to receive an honorary doctorate in laws from UVic yesterday afternoon.

"You know, he was a big inspiration to me when I was a student, in terms of really engaging the connection between spirituality and social justice," said Fagan Taylor of the 11-time Juno Award winner known for his international humanitarian work.

Fagan Taylor spent eight years at UVic as chaplain before she had a child and made a career change. She recalls chatting with other chaplains who were Cockburn fans during her time at the UVic Interfaith Chapel, and conspiring with them to get the musician recognized by the university. In November of last year she submitted a nomination package and it was accepted.

"I think he's got a terrific and very unique ability to communicate a lot of meaning in his music that university students can identify with," said Fagan Taylor, who works now for the Ministry of Advanced Education.

She missed the convocation but was happy that a new generation of students was exposed to what Cockburn has to say. Besides urging the students to social activism, Cockburn stressed the fact that they'll "never get to stand there and say 'OK, I made it'" when it comes to self-discovery.

Backstage at UVic's Farquhar Auditorium after the convocation, 62-year-old Cockburn was enthusiastic about his reception. The response was particularly warm, according to the man who has racked up six honorary degrees from universities across the country.

"I like the energy I feel when I'm around young people, I'm a bit of a vampire that way," said Cockburn, who added that while most of his musical audience is in the 30 to 50 age range, his shows are known to attract young people as well. These teens and 20-somethings often have memories of their parents listening to his records, Cockburn said.

When told about the influence his music has had on the likes of Fagan Taylor, Cockburn responded that he's happy his songs have a place in people's lives.

"You do what you do and you hope it affects people," he said. "I'd be doing this even if no one was listening."

Fagan Taylor, who has never met Cockburn, did manage to write him a letter. He was saving the thick note in his coat pocket and said he was looking forward to reading it.

Cockburn's honorary degree was one of the five handed out this week by the university. Others went to Lt.-Gov. Iona Campagnolo; Miria Matembe, a government minister of Uganda; Mary Okumu, an author and human rights advocate who works in east Africa; and Bill Turner, conservationist and co-founder of The Land Conservancy.

Past recipients have included Mount Everest-topper Sir Edmund Hillary, former Canadian general Senator Romeo Dallaire, and the late author Carol Shields.

UVic has awarded hundreds of honorary degrees since its first convocation in 1964. Any university students, faculty members or employees can put together a nomination package. The final decisions are made by a committee of the university senate.

© Times Colonist (Victoria) 2007

 


 

Posted: June 1, 2007

Rosie Gillingham, a reporter for The Telegram, interviewed Bruce two days before he received an Honorary Doctorate from Memorial University in St. John's, Newfoundland, on May 25, 2007. Her interview is republished here with her kind permission. Photo credits to The Telegram.

Bruce Cockburn Receives Honourary Doctorate From Memorial University

The man who has become known as much for speaking out against social injustices as for his music was nervous about stepping on stage at the St. John’s Arts and Culture Centre last week. 

“It would be totally different if I had my guitar and was performing,” Bruce Cockburn said Wednesday, two days before he was to be presented with an honourary degree from Memorial University. 

“But I have to make a speech, and that’s nerve-wracking.” 

But Cockburn has had no qualms over the years letting his voice be heard on certain issues affecting the world. With his strong views on war and human suffering to animal protection and the environment, Cockburn has been pegged as both a political prophet and gallant humanitarian. 

But to his fans, he is simply known as a brilliant songwriter, talented guitarist and musical icon who is as entertaining today as he was the first time he stepped on stage in the late 1960s.

Cockburn admitted, however, he originally found performing in front of crowds frightening. 

“I didn’t enjoy it in the beginning. I was terrified. I did it because I had to. It felt more like a duty than fun,” he said. “But over the years, I’ve come to enjoy it.” 

So have his millions of fans he’s picked up along the way. An inductee into the Canadian Music Hall of Fame who has won numerous national and international music awards, Cockburn has had a music career for more than 40 years. He has 29 albums to his credit, and his latest — “Life Short Call Now” — was released last year. 

According to the Bruce Cockburn Newsletter Online — created by longtime fan Daniel Keebler — Cockburn released his first solo album in 1970. 

The Ottawa native quickly built up a following with his unique style of folk rock with songs that contained powerful and eloquent lyrics. 

He broke into the United States market during the ’70s after the release of his critically acclaimed album, “Dancing in the Dragon’s Jaws.” 

Some of his best-known songs include “Wondering Where the Lions Are,” “If I Had a Rocket Launcher” and “Lovers in a Dangerous Time,” made famous in recent years by the Barenaked Ladies. 

Cockburn said his intent when he began writing songs was to write for other artists. 

“But with the kinds of songs I was writing,” he said, “it became clear to me that if anybody was going to hear these songs, I had to get out and sing them myself.” His songs reflect his feelings on his experiences from his travels around the world, especially to poverty-stricken, war-torn countries. 

“In the beginning, one of my assumptions was that art and politics should not mix … that the political would taint the art in some way and render it less meaningful, but I got over that, largely from going to Latin America (in the early 1980s),” said Cockburn, who was made a Member of the Order of Canada in 1982 and was promoted to Officer in 2002. 

“Politics is part of life, and the job of an artist is to write about life and all its manifestations and that includes the political. 

“But it has to be art, it has to be personal, too. You can’t start with a political notion to sell people. Otherwise you’re writing a commercial for your idea. So, it has to come from the same place where love comes from, and then it’s real feelings based on experience.” 

Cockburn believes we aren’t doing a good job preserving our environment and he believes Newfoundlanders and Labradorians are no different. 

When asked his views on such topics as the seal hunt, he replied, “I think it should stop. I understand … it’s a lot harder for Newfoundlanders to feel the way I feel.” 

He said the notion that seals are a big reason why there’s a reduction in cod stocks is “bullshit,” but thinks it is OK for natives to hunt seals, since they hunt for food. 

“The cod stocks are down because John Crosbie sold you guys out. He’s just one of many, but I have particular memory of him,” he said. 

“The bottom line is, nobody protected the fishery and that’s why cod stocks are dying. It’s the same all over the world. “(People) want everything and want it now. We don’t seem to be willing to focus on sustaining it for the future so we can have it next year, never mind our kids having it,” said Cockburn, whose song “Beautiful Creatures” on his new album is about ecological issues. 

“It’s all about human vanity. My granddaughter is going to grow up thinking sea slugs are seafood … and stuff we scrape off the bottom of the ocean we currently don’t eat. I don’t want to see that.” 

Cockburn doesn’t know whether or not he changes minds, but said he will continue to perform and sing his songs as long as his audience continues to be touched by them. “As long as I’m able, I’ll keep doing what I do,” said Cockburn, who credits much of his success to his manager Bernie Finkelstein. 

“Luckily, I built up an audience in the first decade I’ve been doing this and many of them are still with me and I picked up some new ones along the way.” 

Cockburn was one of seven people who received honourary degrees during MUN’s annual spring convocation. Others were soldier and humanitarian Lt-Gen. Romeo Dallaire, writer Wayne Johnston, mental-illness advocate Moyra Buchan, C-CORE director Dr. Jack Clark, founding Autism Society of Newfoundland and Labrador president Barbara Hopkins, Telegram publisher Miller Ayre and national team hockey player Hayley Wickenheiser.

THE 20 QUESTIONS 

What is your full name? 

Bruce Douglas Cockburn. 

Where and when were you born? 

In Ottawa in May 1945. I won’t be in St. John’s for my birthday, but it would be a great place to celebrate, from what I hear. 

Where is home today? 

Kingston, Ontario. 

What is your greatest indulgence? 

Booze, I guess. 

What was one act of rebellion you committed as a youth? 

I went through a phase in my early teens when I shoplifted. It only lasted one school year. We would go to the big department stores at the mall and steal ammunition to sell at school because there were kids whose dads used to shoot crows. That’s a measure of how things have changed. That’s the only thing guns were used for. 

What do you like to cook? 

I cook stews a lot — made out of whatever. The health food store near where I live sells bison meat. It’s locally grown and is a very healthy meat — low fat and low cholesterol. 

What is your greatest regret? 

Over the years, there have been many things to regret, but they all have to do with relationships. 

What are five CDs in your music collection? 

I listen to all kinds of different stuff. I like jazz a lot, like Brad Melhdau, and edgy stuff, like Albert Ayler, who influenced me from time to time, and Franco, too. I like rock, like Feist, Cowboy Junkies … and I love Sarah Harmer’s stuff. I listen to some electronica, too. I don’t know why, but I tend to listen to more female singers than male. I have a pretty big record collection, but I don’t listen to it very often when I’m home because my ears are tired from listening to my own music on the road, so I usually like peace and quiet. 

Who would play you in a movie about your life? 

Brad Pitt — no hesitation there — because he’s handsome and cool. 

What was the most vivid dream you’ve ever had? 

I have a lot of dreams. I write down my dreams, so actually there have been a lot — too many to mention. 

Where is your favourite vacation spot? 

I don’t have vacations. I like to get into nature if I can, but I really am a creature of the highways. When I do get free time, I like to be at home. But if there’s enough time, I start getting itchy for the road, but not to work — to travel and feel the illusion of freedom you get when you’re travelling with no obligation to be anywhere. I’ve been touring from July (2006) to the end of March (2007) and we’re starting up again in the summer, but at the end of the summer, my girlfriend and I are going to Buenos Aires to study Spanish for six weeks. That could be considered a vacation. Then we have to go to Nepal for a few weeks in connection with the Unitarian Services of Canada. I travel places, but there is usually a purpose. 

What are you reading at the moment? 

I’m reading the autobiography of (American novelist) Kurt Vonnegut, who died last month. It’s called “Fates Worse than Death.” It’s from the 1990s. I don’t get as much time to read as I’d like to. I’m too much of a sucker for TV. I don’t watch any TV, but when I get to the hotel, the first thing I do is turn on the TV. It’s pathetic, really. 

What is your personal motto? 

Seek truth and understanding. 

What do you like to do to relax? 

I like to ride my bicycle. I drink scotch, too, and for several years, I was rigorously into yoga, but I’ve fallen away from that. But bicycling is probably my thing now. It’s great because you get the sense of movement that goes on the road, but you’re doing the motivating. 

What are your best and worst qualities? 

My best is loyalty to my friends. My worst is selfishness. 

Who inspires you? 

David Suzuki. 

What is your most treasured possession? 

My guitar, I guess. I have a lot of guitars, but the one I use the most is my Linda Manzer. 

Who would you least (or most) like to be stuck in an elevator with? 

Stephen Harper. I don’t like that corporate approach to politics and anything that goes with it. It’s utterly wrong to run a country the way you would run a business. I guess we would find other things to talk about if we were stuck in an elevator, but I don’t trust those guys. I don’t think they have the best interest of humanity or Canadians at heart. They are self-interested. But you know, I usually manage to get along with everybody because I respect everybody. Sometimes you have to work at that, but I have this premise that everyone deserves respect until they prove otherwise. And often times, people often look different up close than they do farther away. 

Who is one person, living or deceased, you’d love to have lunch with? 

Atilla. I think he would teach something I don’t already know. 

What is your favourite song that you've written? 

They’re all like my babies. 

If you were prime minister, what’s one thing you’d try to do? 

I would take back the post office. We’ve privatized it and it sucks. The services are terrible. Not the individuals who work there, but what kind of country doesn’t have its own post office? People have this idea that privatizing things offer better service and the evidence is to the contrary. You can have just as much inefficiency and poor-quality teaching in private schools that you would get in public schools, lousy medical service from the private sector just as you can the public sector. The difference is it’s not as readily available to people, and availability is a big deal. I would also continue to strengthen our armed forces because I think a country needs a functional military … if we’re going to play a role in the world in any meaningful way. 

What are your thoughts on war? 

The war in Afghanistan, I don’t know how necessary that is. Although I do think we can’t gracefully pull out. Maybe we should. I don’t know the answer. I’d like to go there and see it up close. But the war in Iraq is an atrocity. It’s senseless with respect to the state of the goals of the war — to further the interests of George Bush and his cronies. It’s been a major disaster for everyone involved in it. To me, I don’t consider myself a pacifist because there are times when a violent response is the only one possible. I came to the conclusion in the 1980s — previously I thought war was bad, and it is bad, but there are times and places for it. That’s why it is appropriate to have a strong military. But we should make every effort to avoid war because it doesn’t do anybody any good.


Posted: May 24, 2007
Memorial University press release
St. John's, Newfoundland

Bruce Cockburn to Receive Honorary Doctorate from Memorial University

Canadian Music Hall of Fame inductee Bruce Cockburn will be honoured for his music and his commitment to the betterment of the world with an honorary doctor of letters degree during spring convocation. Born in Ottawa, his career has spanned four decades and includes more than 25 albums with music ranging from folk to jazz-influenced rock. He has received numerous international awards and 20 gold and platinum records in Canada. Mr. Cockburn released his first solo work in 1970; his exceptional guitar work and songwriting skills quickly garnered an enthusiastic following. His 1979 song Wondering Where the Lions Are was a national hit in Canada and reached the top 25 on the Billboard charts in the United States. In the 1980s, he travelled extensively throughout the world and his trips included several fact-finding visits to developing countries in areas such as Central America. Those journeys in turn helped inspired such hit songs like If I Had a Rocket Launcher. He was one of the first Canadian artists to foster an international career while remaining in Canada. A vocal supporter of well-known organizations such as Amnesty International, Friends of the Earth and OXFAM, Mr. Cockburn has spent much of his career as a political activist and humanitarian and has been a spokesperson for the movement to ban land mines. He was inducted as a member of the Order of Canada in the early 1980s and promoted within the order to the level of officer in 2002. His music has earned him a Governor General’s Performing Arts Award and nine Juno awards. He has received honorary degrees from York University in Toronto, Berklee College of Music in Boston, and from St. Thomas University in New Brunswick. He will receive his degree at the 3 p.m. session of convocation on May 25, 2007.

 


Posted: May 21, 2007
UV Press Release

University of Victoria to Award Five Honorary Degrees at Spring Convocation

Leaders in public service, the arts, human rights and the environment will receive honorary degrees from the University of Victoria when spring convocation ceremonies take place June 5–8 in the University Centre Farquhar Auditorium.

The honorands are: the Hon. Iona Campagnolo (Doctor of Laws); Bruce Cockburn (Doctor of Laws); the Hon. Miria Matembe (Doctor of Laws); Mary Okumu (Doctor of Laws); and Bill Turner (Doctor of Laws). Here are their brief biographies:

The Hon. Iona Campagnolo became B.C.’s 27th lieutenant governor in 2001 after careers in broadcasting and public service that were distinguished by her dedication to human rights and social justice. Born on Galiano Island and raised in northern BC, the Queen’s representative has reached out to all British Columbians, particularly young people and Aboriginal communities. First elected in 1974 as the federal Liberal candidate for Skeena, she would later serve as the first minister of state for fitness and amateur sport in the government of Pierre Trudeau. In 1982 she became the first woman to be president of the Liberal Party of Canada. She is a member of the Order of Canada, among other honours. Honorary degree presentation: 2:30 p.m., June 5.

Musician and social activist Bruce Cockburn has inspired a generation of listeners with his poetic, political song craft. In a 35-year career, the Canadian singer-songwriter has recorded 20 gold and platinum albums and earned 11 Juno awards. Cockburn is also widely regarded for his concern and work for the welfare of the less fortunate, expressed through decades of activism around the world. He was named officer of the Order of Canada in 2002. Presentation: 2:30 p.m., June 6.

As member of the Pan-African Parliament, the Hon. Miria Matembe has spearheaded significant social and political changes in Ugandan society. In her role as minister of state for ethics and integrity, she confronted widespread corruption in Ugandan society, especially in government and civil service. In parliament, she urged her culture to come to terms with human sexuality and disease in light of the HIV/AIDS epidemic. Presentation: 2:30 p.m., June 8.

Author and human rights advocate Mary Okumu is a relentless defender of the poor and disadvantaged of east Africa. Okumu has stood up for health service improvements, conflict resolution training, peace negotiations, protection and advocacy for human rights and community empowerment. She is acclaimed for her work with Women Waging Peace, a non-profit organization dedicated to eliminating conflict in Africa. In 2000 she was awarded the Peace Award by the U.S. National Peace Foundation. Presentation: 10 a.m., June 8.

Conservationist Bill Turner revolutionized the preservation and restoration of the natural and cultural heritage of BC when he co-founded The Land Conservancy (TLC) in 1997. The non-profit land trust fosters broad-based community support for the protection of ecologically and historically important areas. Turner’s leadership has seen the TLC become a powerful proponent of ecological and cultural values and integrated approaches to conservation. In 2005 he was named a member of the Order of Canada. Presentation: 10 a.m., June 7


Posted: May 11, 2007

Music icon Cockburn receives doctorate from Queen's
Rob Tripp
Friday, May 11, 2007

Bruce Cockburn, the Canadian music icon who once penned a song about retaliatory killing with a rocket launcher, has received an honorary doctor of divinity from Queen's University.

The 61-year-old Ottawa native, whose 29 full-length albums are infused with religious and spiritual imagery, was bestowed the doctorate at the convocation ceremony for Queen's Theological College Wednesday night [May 11, 2007].

"In all the time I've spent thinking about God in my life, I never thought I'd be recognized for it," Cockburn said at the ceremony.

Cockburn charged the graduates, many of whom will become ordained ministers in the United Church, to look past New-Age spirituality and fundamental evangelism and focus on God.

"In between those cracks there is a place for sharing real experiences about God," Cockburn said.

Cockburn's recording career has spanned more than 40 years after releasing his self-titled debut album in 1970. His early work attested to his strong Christian beliefs, with lyrics like "Christ is born for you and me" in the song A Life Story.

Later in his career, Cockburn began devoting his music to more progressive and political issues, evidenced by the song If I Had A Rocket Launcher on the 1984 album Stealing Fire. He wrote the song after witnessing Guatemalan helicopter attacks on refugee camps in Mexico.

Cockburn has also taken up the crusade against U.S. President George W. Bush and the war in Iraq on his latest disc, Life Short Call Now, with songs entitled This is Baghdad and Tell the Universe.

He has also worked with Friends of The Earth, the David Suzuki Foundation, War Child Canada and Mines Action of Canada.

In his convocation address to the 15 graduates, Cockburn spoke somewhat prophetically, warning them that they would be leading the church in a time of "tribulation."

"In your lifetime, you will experience the consequences of the Industrial Revolution and you will see climate change," he said. "You will be given a special burden to bear."

Cockburn was given the doctorate in recognition of his artistic, humanitarian and theological contributions to society, principal Jean Stairs said.

Queen's vice-principal Patrick Deane attended the ceremony on behalf of the university. He said the world is a better place because of Cockburn's music.

"Your music has provided the soundtrack for the last several decades for many of us," he said.

The Queen's doctorate is the fourth such honour for Cockburn. He has also received doctorates from York University in Toronto, Berklee College of Music, and St. Thomas University in New Brunswick. Later this month, he will receive his fifth, a doctorate of letters from Memorial University in Newfoundland.


Posted: April 25, 2007

Bruce Cockburn's Breakfast In New Orleans Dinner In Timbuktu CD Artwork Is Part Of The Fifty Years Of Helvetica Art Exhibit at The Museum Of Modern Art (MOMA) In New York City.
 

TORONTO – APRIL 20, 2007 – The colourful cover design of Bruce Cockburn’s Breakfast in New Orleans Dinner in Timbuktu is now on display as a part of the 50th Anniversary of the Helvetica typeface at New York City’s MOMA.  It was chosen as a shining example of the use of the Helvetica typeface.    

Breakfast in New Orleans Dinner in Timbuktu was released worldwide in 1999 and featured the songs `Last Night Of the World’ and `When You Give it Away.’ The album jacket was designed in Toronto by leading Canadian graphic artist and designer, Michael Wrycraft.  The exhibit runs at MOMA until April 2008.


Posted: April 13, 2007
D. Keebler

In an email to me this date, Bernie Finkelstein shared this insight on the coming trio of releases from Rounder Records.

Regarding the re-releases coming soon from Rounder: Breakfast In New Orleans, The Charity Of Night and You Pay Your Money And You Take Your Chance.

These are not strictly speaking re-issues with new mastering, bonus tracks etc.  Ryko’s rights have run out and we want to keep those records available, so Rounder are now going to be putting them out. Some stores might still have the Ryko copies and that could continue for some time but for stores that need new copies they will now be able to buy them through Rounder, otherwise these very fine recordings just wouldn’t be available to new buyers. There is no reason for people who already have these records to buy them again nor are we trying to get them to buy them again.

There will be no changes made to these recordings, including the mastering, which was first class to begin with in my opinion.


Posted: April 13, 2007

Cathleen Falsani, Religion Writer for the Chicago Sun-Times, asks Bruce about "God Bless The Children." Read the article here.


Posted: April 4, 2007
D. Keebler

Rounder Records informs me that the next three reissues will be: Breakfast In New Orleans, The Charity Of Night and You Pay Your Money And You Take Your Chance. Unlike previous reissue, these will not contain bonus tracks. The release date is currently scheduled for July 10, 2007.


Posted: February 15, 2007

Kingfest 2007 Rocks Seneca College, Benefits Habitat For Humanity

A new outdoor music festival is on the list for this year in the greater Toronto area. Kingfest 2007 will take place on June 23 and 24th and feature the best in country, folk, roots, blues, and jazz providing a diverse line up for music lovers on multiple stages. The festival will be held at the pristine Seneca College, King City Campus situated over 100 acres of fresh green property.

Bruce Cockburn, Prairie Oyster and many other well known performers are getting ready to perform this year, and the festival is still accepting applications for performers, crafters, artisans and food vendors until April 30.

Habitat for Humanity is an independent, not-for-profit organization that builds simple, decent, and affordable houses and provides interest-free mortgages to families who would otherwise not be able to purchase their own home. $2 off each ticket sold at Kingfest will go to Habitat for Humanity – York Region to help families in need with affordable housing.

For more information on Kingfest 2007 please visit www.kingfestmusic.com.


 
Posted: February 14, 2007
True North

Bernie Finkelstein Receives the Order Of Canada

Congratulations and kudos also go out this month to True North Records and founder president Bernie Finkelstein who was awarded Canada’s highest civilian honour, the Order Of Canada, for his years of tireless work on behalf of the Canadian Music Industry and for all his work in supporting and developing Canadian culture.

Mr. Finkelstein received the award Friday February 9, 2007 at a formal ceremony in the nation’s capital, Ottawa, Ontario.


Posted: February 8, 2007

Bruce Cockburn - Three Shows in Three Days
Reviewed by Richard Hoare

In 2006 Bruce toured North America and Canada backed by Julie Wolf and Gary Craig.  For his 2007 European tour Cockburn has adapted his set for solo guitar. He had played Glasgow, Belfast and Dublin before I caught up with the tour.

The Stables, Milton Keynes, England 24th January 2007
Support act Angela Desveaux

This auditorium has a capacity of 350 and the shallow gradient seating surrounds the stage on three sides. The venue wasn’t full but it is an intimate room. The stage was set up with Cockburn’s three acoustic instruments; a six string Manzer guitar, a polished steel Dobro resonator guitar and a twelve-string Guild guitar all fitted with pickups to be played with the effects pedal set.

Bruce came out on stage dressed in black, clean shaven and looking fitter than some recent photographs have suggested. He launched into the first three tracks: Last Night Of The World, Open and Tokyo with hypnotic bass string intensity before slowing for the guitar solo virtuosity of Jerusalem Poker.

Cockburn continued with Life Short Call Now, prefaced by the billboard story that led him to write the song. Bruce then recounted that his friend Celia thought the former track was the most depressing song she had heard until she listened to the next one, Beautiful Creatures! Cockburn acquitted himself well without the studio technology to assist the swooping vocal that was recorded on the album.

Bruce changed to the Dobro for the insistent rhythm of Wait No More followed by the road song from the Inter American Highway in Nicaragua from March 1983, Dust And Diesel.

During the next sequence of political songs I marvelled at what Cockburn can play on his twelve string Guild for This Is Baghdad, Tell The Universe and the high energy Put It In Your Heart.

Bruce changed back to his six string guitar for a wonderful If A Tree Falls and concluded the set with the Zen like Mystery. The crowd brought him back for Wondering Where The Lions Are and they sang the song’s chorus. Following cries from the audience for a variety of songs we were treated to Indian Wars and Bruce concluded the evening with a rare rendition of All The Diamonds In The World. 

The Borderline, London, England 25th January 2007
Support act Angela Desveaux

When this date was first advertised it was the only London show of the tour and the smallest London venue I have known Cockburn to play. Tonight and the following night formed part of The Borderline’s Seventh Annual Singer Songwriter Festival 2007. This basement venue was full and charged with anticipation by the time Bruce took to the stage to a rapturous reception. 

Cockburn played a relatively similar set to the previous night with some notable substitutes. Two of the three opening numbers were changed to the radio and download single Different When It Comes To You and Lovers In A Dangerous Time. By the time Bruce was brought back for some encores the joint was jumping and the crowd sang every word of Wondering Where The Lions Are, Pacing The Cage and Peggy’s Kitchen Wall.

The Borderline, London, England 26th January 2007
Support act Alana Levandoski

This date was added due to extra demand. There were, however, fewer people in the audience and this created a completely different atmosphere to last night. Again the set list largely followed the previous two nights but with some more notable substitutes. Bruce started the night with Rouler Sa Bosse, an instrumental from the 1974 album Salt Sun & Time. Open followed and then we were treated to the slow jazz and surprising story that is Twilight On The Champlain Sea (only available as a digital download). Cockburn also played the exquisite Elegy from the 2005 instrumental compilation Speechless. “And now the calling of titles” murmured Bruce under his breath as he readied himself for two cracking encores, See You Tomorrow and a rollicking Night Train.   

Bruce played 47 pieces of music over these three days, 25 of which were different titles. I also heard eight out of the twelve compositions on the 2006 CD Life Short Call Now. It was the first time for some years that the tour itinerary had enabled me to see three Cockburn shows in three days and it was fascinating to see how the dynamics of performance change each night. At the age of 61 Bruce still has the guitar dexterity and song writing innovation to be ahead of the pack. There are very few musicians with skills of his calibre in the world today.

The support act for the first two shows above was Angela Desveaux backed by Mike Feuerstack on guitar and vocals, both from Montreal. Their set put me in mind of the works of Gillian Welch and Sam Phillips. The duo performed songs from Angela’s CD, Wandering Eyes, released on Thrill Jockey (2006), including Bury Me Deeper, Feel Alright and Good Intentions. They also acquitted themselves on covers of Neil Young’s Birds from After The Goldrush and Richard & Linda Thompson’s I Want To See The Bright Lights Tonight from their album of the same name. Mike (who also plays on Angela’s album) is the Montreal music collective, Snailhouse, and mid set he played his own Tone Deaf Bird’s. Angela has a wonderful voice which sets up an ambience to accompany her melodious songs embellished by Mike’s tasteful and understated picking and vocals. This was the best support act I have seen perform for a UK Cockburn gig for a long while. Check out their websites www.angeladesveaux.com and www.snailhousemusic.com.

 
Bruce to Receive Fourth Honorary Doctorate
 
Posted: January 2, 2007
from Bernie Finkelstein

Bruce will be receiving an Honorary Doctorate of Divinity for Queens University in Kingston, Ontario on May 9, 2007. Queens University is a very prestigious University in Canada. This will be Bruce’s 4th Honorary Doctorate. He also has a Honorary Fellowship with the Royal Conservatory of Music in Toronto.


 

2006 MEDIA

 
Posted: January 10, 2007

Reprinted here by permission from the staff at FolkWax

FolkWax Is Sittin' In With Bruce Cockburn
by Bob Gersztyn

November 2006

Bruce Cockburn's musical history spans five decades and 29 albums. During the 1960s his bands, OLIVUS, The Children, and 3's A Crowd, shared the stage with everyone from Jimi Hendrix to Wilson Pickett in Cockburn's native Canada. After Neil Young bailed out of the Mariposa Folk Festival to join Crosby, Stills, & Nash at Woodstock back in August 1969, Cockburn took his place as the solo headliner. At that time he began a solo career, writing deeply personal and spiritual songs beginning with his self-titled album released in 1970. Ten albums later, in 1979, Dancing In The Dragon's Jaws provided an international radio hit when "Wondering Where The Lions Are" started to receive international airplay.

His newfound popularity expanded his horizons and, after traveling to Central America in the early 1980s, Cockburn's music began to take on a much more political tone. "If I Had A Rocket Launcher," from 1984's Lovers In A Dangerous Time" and "Call It Democracy" became anthems. His battle cry also included Native American rights, ecological issues, land mines, and, more recently, the war in Iraq.

Every Cockburn album holds a number of indelible compositions with hook-laden melodies that impale the psyche through idea-changing lyrics. A quarter of a century ago, 1981's Inner City Front produced the prophetic anthem "Justice," which excoriated mankind for inhumanities committed against itself in the name of everything including "Jesus, Buddha, Islam, man, liberation, civilization, race, and peace." 2006 has produced Life Short Call Now whose compositional subject matter includes the obvious war on terror, with titles like "This Is Baghdad," ecological issues represented by "Beautiful Creatures," and personal relationships with "Different When It Comes To You." The overall theme is reflective of his nomadic lifestyle coupled with the language of television infomercials.

Bruce Cockburn is echoing prophetic voices of the past like Isaiah, Jeremiah, and Malachi. He's a musical artist whose style combines the ancient and traditional elements of prophetic poetry with modern musical forms ranging from Folk to Rap. His music transcends the status quo. Although he's won every musical award Canada has to offer, he still has more of a cult following in the U.S. and around the world. After seeing Cockburn perform dozens of times over the past three decades and repeatedly listening to all 29 albums, it was with much excitement and anticipation that FolkWax senior contributing editor Bob Gersztyn sat down with Bruce to talk about his new album, among other things.

 *****

Bob Gersztyn for FolkWax: Are you touring with a band this time and if so are any of the musicians on the album?

Bruce Cockburn: Yep, they both are, Julie Wolf on keyboards and Gary Craig on drums. It's a trio format and they both are on the album. Julie toured with me before as part of a quartet on the last band tour that I did. Gary has played on a number of my albums, but has not toured with me before, so I'm actually very excited to have him on the road and we've had a really good week and a half just now, rehearsing a repertoire for the tour.

FW: Are you going to be doing any wailing electric guitar solos?

BC: Not exactly. In keeping with the generally acoustic vibe of this album we're sort of leaning that way more, but you never know what might come out. There will be a few moments.

FW: Why did you choose the title Life Short Call Now?

BC: It was the title of the song that was on the album, obviously, and it just seemed like a good title for the whole album. When I make an album I don't sit down and plan a concept. It's always when I have enough songs to fulfill the time requirements that we go into the studio to do an album. So whatever I've been encountering and writing about during the period of time leading up to that is what determines the content of an album. But after the fact we're in the studio recording the songs and we start listening to it all back and thinking that Life Short Call Now is a pretty good name for this album.

I guess that's for a couple of reasons, in addition to the sense that the song itself talks about being lonely and using the language of infomercials, "don't wait call now." Maybe it's a function of ongoing aging or maybe it's a function of the fact that we're a species that's destroying its habitat, but one way or another it seemed a little more urgent perhaps than they once might have seemed. It's like whatever you're going to do that's good in the world, do it now while you have the chance because it's gonna get harder as time goes on. So like I said, it's after the fact that I named the album with that in mind. 

FW: That goes along with another song that you have on the album called "Beautiful Creatures." In it you say that the "...beautiful creatures are going away." Why are they going away and exactly who are they?

BC: Well, we're seeing the loss of thousands and thousands of species that we share the planet with. Like the ones that we're aware of, the ones with the romantic image that we can access as humans, that are kind of cuddly. There's a cuddly factor, if I can put it that way. Animals like polar bears and tigers, these animals are going to be gone. There's disagreement over what is behind climate change, but there's no question in my mind that whether there's a natural element to it. There's also a very strong element of human interference with the natural balance of things.

The arctic ice is melting, polar bears can't breathe anymore, their babies are drowning. They can't hunt for seals because seals don't have any ice to come up on. For the first time in the memory of the Intuit people, polar bears are starting to eat each other because they're not getting anything else to eat. It just seems to be heartbreaking that these beautiful creatures are leaving the way that they are. We're not really doing much about it. There's a lot of talk and, like I say, some of those particular species that are highly visible and highly symbolic for humans are noticed. People pay attention to that a little bit, but not enough to actually sort it out and way too late in the game, also, to sort it out.

There's all the other species, thousands of birds and insects and things that we don't normally think about or know the names of. Like creatures that live in the tropics and areas that are being clear-cut or otherwise messed with. We're facing the extinction of species that parallels the great extinctions of the past. In the past, those extinctions have been accompanied by pretty severe changes in the whole of the world's environment and we may not survive those changes if that's what we're faced with here, and it seems as though we might be, so life's short.

FW: How does war play into all of that?

BC: It's a complicated one. War is hands down one of the single biggest destroyers of environment that humans have come up with. It may be more localized than some of the other effects that we've had. In an area where fighting is taking place with modern weapons, the environment is going to be destroyed, period. I mean that's what happens. People, places, and animal habitats get burned, bombed; everything gets upset in that kind of setting. The thing is where the urge to fight seems to be an inescapable part of human nature, as much as the urge to love each other.

We have this schizoid thing going on where, on the one hand we're capable of envisioning the great glories of a loving world and the benefits of being respectful and kind towards each other, and yet we don't seem to be able to stop killing each other at the same time. That's why I say it seems to be an inescapable part of our nature. I've said this before, kind of with respect to the last album, not Speechless, but You've Never Seen Everything. It seems to me that when I wrote the songs on that album that we were in a race between the discovery of the true, for whatever better way to put it, cosmic connections that exists among us all and between us and the environment that we live in, the planetary system that we live in, etc. There is a race between the recognition of those things and the innate urge to self-destruct, and there's a lot of human behavior, a lot of the big strokes and big decisions are being made by people who are acting in service of that self-destructive urge.

FW: Did you actually meet the mercenary that you sing about in "See You Tomorrow"?

BC: Yeah. I got offered a job when I was going to the Berklee, B-E-R-K-L-E-E in Boston, not the famous California place. I was going there in the mid-1960s and I got offered this summer job with this guy who was going down to Central America to run guns to Cuba.

FW: How did you get an offer like that?

BC: I just knew somebody who knew somebody. One of my dorm-mates had this ex-military friend who was going to do this and he wanted somebody to go watch his back. At first I thought it was kind of a cool idea and then I realized what he wanted was for me go down there and get between him and people that wanted to kill him and I thought, "Hmm, maybe not." So at that time and that age, I was 18 or 19, and the moral implications were not evident to me. Now they would be, of course, anytime something like that comes up, but back then I really didn't think about that. It was just like this could be cool, never did anything like that before. But thank God I decided not to do it.

FW: Yeah, definitely, that would be a pretty dangerous sort of thing.

BC: You think? And not even a good thing. Whatever Castro's faults are, the returning of Cuba to its previous sort of rule was not a good idea and that's what they were trying to do, of course, to roll back the Cuban revolution.

Part Two

Bob Gersztyn for FolkWax: I once read or heard that you played on the same stage with Jimi Hendrix in The [Greenwich] Village. I think that you were in a band?

Bruce Cockburn: Not in The Village. We opened for Hendrix in Montreal actually, in an arena.

FW: Was that with The Children?

BC: No. At that time the band was called Olivus, which is spelled O-L-I-V-U-S, which of course was supposed to sound like "All Of Us," and we thought that it was terribly clever. It's kind of embarrassing to think about it now, but anyway, that was the name of the band and we had a few really cool opening gigs. We opened for Cream in Ottawa and we opened for Wilson Pickett in Toronto and we opened for the Lovin' Spoonful somewhere. That one was The Children. There were some interesting gigs that we had, but they were few and far between. Mostly we rehearsed and didn't have gigs. There was a review in one of the Montreal papers, which somebody showed me in Paris actually, a couple of years ago. I was there doing PR for an album, whatever album had just come out, and the guy from the record company that was driving me around was a big Hendrix fan. I said, you know, I opened a show for him once. He got all excited and his friend who has a Hendrix website came up with a reprint of this review from the Montreal Gazette, I think. There used to be a couple of English papers back then in Montreal, which said that if it had been anybody but Hendrix we would have been the stars of the show. The guy really liked us, which leads me to suspect that he was heavily influenced by LSD at the time.

FW: [Laughter]

BC: I don't think we were very good, but in any case there is a record of that having happened.

FW: Speaking of LSD, I have a question that I wanted to ask you. The line in "Mystery" that goes "I stood before the shaman, saw star-strewn space, behind the eyeholes in his face" sounds to me kind of like a peyote vision. How do you feel about the usage of substances like that for creative purposes?

BC: I think that it's perfectly fine, if it's directed and conscious. A lot of people take those kinds of things just to get stoned. I did my share of LSD back in the day, but not on the occasion that the song refers to. I was totally straight, in the middle of an afternoon. The shaman in question was the guy who painted the painting that we used on the cover of Dancing In the Dragons Jaws. He was the first native painter to come out and actually paint their myths. He became very famous for doing that. He's from the western part of Ontario originally. He may have died, I'm not sure, because he sort of faded into obscurity, but for a while he was really influential and famous as a painter. He influenced a whole generation of other native artists to similarly paint their own myths and spirituality in their own imagery, not in kind of white people's or European imagery. He got a lot of criticism from other native people for that, but he was a shaman. At least he said he was.

We went to his apartment; well, at least to an apartment that he was temporarily staying in, in Toronto. At one point during the conversation with him I had this vivid...I was looking at his face and we were talking about tea or something totally inconsequential, and I'm looking in his face and I had that experience of where his eyes were windows into space and it freaked me right out and I didn't say anything, but he saw me react or something. He saw a look come over my face I guess, and he kind of smiled and didn't say anything. He kind of smiled a knowing smile and that was the extent of it, but it was shocking. I had to assume it was something real because I wasn't stoned. At that point it had been a long time since I did anything like that. I gave up on all that kind of stuff really at the end of the sixties, even before that. So it had been at least ten years since I'd done any of that kind of stuff and there he was. I don't make any of this shit up. People think it's imagination, but it's not. I don't have any imagination, I just report.

"I don't have any imagination, I just report."

FW: I was talking to Peter Bergman from the Firesign Theater and John Sinclair, the manager of the MC5, a couple of years ago and I asked them what benefits the 21st century was reaping from the 1960's counterculture, and they told me that other than helping to stop the Vietnam War, changing music, and allowing liberality in clothing, nothing. What do you think?

BC: I think that there is, but it's hard to access. One of the things that happened in the 1960s was Vatican II, in which Pope John XXIII convened all the bigwigs of the Catholic church to decide what the destiny of the church should be and what role it should play in the modern world. It was decided at that time that the church would be the church of the poor. It was decided that I think because the vibe of the sixties, the kind of philosophy and energy that was flowing around. It flowed through the clerics as much as it flowed through everybody else. I mean it was just in the air. It touched everybody, whether they wore the uniform or not...of the hippie movement I mean. As a result of Vatican II the church began to teach people in Latin America to read. As a result of people in Latin America learning to read they started trying to overthrow the governments that were keeping them poor and malnourished and not getting medical attention and all sorts of stuff. Many church people became supporters of that kind of social change, and we've been living with the result ever since.

There is just one case where the sixties definitely affected current history and is still affecting it, because those revolutions have come and gone and they've been repressed violently in almost every case, but the reason for them being there hasn't gone away so they keep coming back. It was the church deciding to identify itself with the poor that changed that, and I really think that wouldn't have happened in any era other than the sixties, in the same way that it did. We don't still have a Vietnam War because people in the sixties decided that they'd had enough.

I also think that the Civil Rights movement became successful because it had the support of, not just because of this of course, but one of the things that contributed to the success of the Civil Rights movement was the support of White liberals who constituted a voting bloc that politicians had to pay attention to. It wasn't just a sudden humanitarian awakening on the part of the government of the day. Their awakening had to do with pressure from voters and the anticipation of losing elections and stuff like that. That's a little before the hippie movement, but it was still going on, still evolving as it is today, because the need is still there for it to evolve and things are not quite equitable yet. I just see all these trends that are going on. The fashion comes back and the young kids going around looking like hippies today don't have any idea what it meant to be looking like that in 1967. Because people used to hassle you for looking like that back then and now they just think that you're weird.

FW: Five or six years ago I was at a Hot Tuna concert and many of the people were dressed in hippie garb. I mentioned something about the counterculture to a young woman standing next to me and she took offence. "I'm not part of the counterculture," she said, as her boyfriend gave me a dirty look. I thought that it was funny.

BC: Well they're not because they got it out of fashion magazines. It's more than a thing, because the Rainbow Family still exists, right? The Grateful Dead, throughout their life span as an entity, attracted these huge crowds of people of all ages that wanted to carry on that sensibility and a lot of this was for fun, but it was a thing that you identified with for fun. I knew high school kids in the nineties that were Grateful Dead fans, who would go everywhere to their shows and those kids are now adults. They've grown up with that sensibility and identified themselves with it. So I don't see it disappearing and I don't see it being meaningless. The thing you have to remember too is that being a hippie in the sixties was also a fashion statement.

The first time I ever heard the word "hippie" was in 1964, when I went to Europe the first time. Before that people would call us "beatniks" or "hipsters," or whatever. I remember meeting this guy with hair down to his butt and a big, full beard. He was an English guy, but he was hitchhiking back to England after having participated in the blowing up of a statue of Franco in Spain, according to his story anyway. I said something about beatniks and he said, "we're not beatniks, we're hippies." That's the first time I'd heard the word hippie, and I thought it had obviously evolved from hipster and whatever. It was like, okay, well that's a word. But at that point the people that would identify themselves that way were a very conspicuous minority. Bell bottoms weren't fashionable and the hair styles weren't fashionable, they were counterculture, but within a couple of years of that everybody that was coming out of high school had long hair and had bell bottoms. The fact that they identified with a set of values that was not their parents' set of values doesn't make it less of a fashion event. So it never really was a lot more than that. There was more going on. You didn't have to be a hippie to oppose the Vietnam War; it just happened that most of the people who opposed the war were of that generation who came out of high school wearing bell-bottoms and long hair. I think, anyway.

FW: Thanks for taking the time to talk to us.

 


 

Cockburn & Fearing pick up awards
 
Posted: December 14, 2006
D. Keebler
 
Bruce Cockburn took home the Canadian Folk Music Award for Best Instrumentalist - Solo, for his album, Speechless. The awards were handed out in Edmonton on December 10, 2006. His label-mate, Stephen Fearing took home Best Songwriter for his album, Yellowjacket.
 

 

True North Press Release
 
Bruce Cockburn Visits Venezuela During Their Presidential Elections in December 2006

TORONTO ­ November 27, 2006 - An eight member delegation has been put together of peace, religious and human rights activists from the United States and Canada to visit Venezuela during the time of the December presidential elections from November 28 to December 7, 2006. The purpose of the delegation is to have a direct experience of changes taking place in Venezuela, with a special attention to the lives of the poor. The group will also have the chance to observe the electoral experience first hand. The eight days in the country will be divided between Caracas and the state of Lara in order to experience both urban and rural realities. Participants will visit community groups involved in new initiatives in the areas of health, education, agriculture, cooperatives, culture and communication. The group will also have the chance to dialogue with religious leaders, members of the government and the opposition, and representatives of the United States government in Venezuela and to reflect on the experience and strategize about follow up.

Cockburn has traveled extensively on many fact-finding trips including: Cambodia, Vietnam, Chile during the Pinochet Dictatorship, Honduras, El Salvador, Kosovo, Nepal, Nicaragua, Mozambique, Somalia and in 2004 war-torn Baghdad.

 
Posted: November 15, 2006
Daniel Keebler
 
Off To Venezuela
 
 
In a conversation with Bruce backstage after the recent Olympia, Washington concert he told me he is heading to Venezuela in late November to monitor the presidential elections, which are to take place on December 3, 2006. Among those he will be traveling with are Bishop Thomas Gumbleton of Detroit and photojournalist Linda Panetta. In January 2004, Bruce accompanied these two and others to Iraq to see first-hand what was happening there.
 
 

Posted: November 6, 2006
USC Canada Press Release
 

Bruce Cockburn, Snatum Kaur and Guru Ganesha at Ottawa Peace Prayer Day 2006                                           

 

Ottawa Friends for Peace invites you to celebrate peace at the fourth annual Peace Prayer Day Saturday, October 21, 10:00 am to 4:00 pm, at City Hall – Elgin and Laurier.  Internationally known recording stars Snatam Kaur and Guru Ganesha Singh Khalsa will perform for a full hour, including their medley of chants from many faiths. Canadian musician Bruce Cockburn will receive a Peace Award for his work for peace and social justice with Unitarian Services Committee of Canada, and Betty-Anne Davis will be honoured for introducing modern midwifery practices around the world.  Bruce and Betty-Anne will present their personal Visions for Peace. 

There will be singing, dancing, and drumming with performances by Pipers for Peace, Every Woman’s Drum Circle, Nubia Caripito, Raging Grannies, the Skylarks, Big Soul Project, and many more. There will be interfaith prayers for peace, a silent auction, great food and beverages, and a chance to meet others who stand for peace, work for peace, and live for peace.  Admission is free, and all donations and proceeds from the day will go to USC Canada.  

Why should you go?  Snatum Kaur and Guru Ganesha, international recording stars, will be there to open the afternoon’s proceedings at 1.30pm.  That’s why.  Bruce Cockburn will be there – not to sing or play the acoustic guitar but to receive a Peace Award for his sterling work with USC Canada.  That’s why.  So you can enjoy and participate in a celebration of peace, social justice and planetary care. That’s why.  Friends for Peace is a coalition of groups committed to raising awareness about peace, social justice and planetary care.  It also supports local organizations like Child Haven International, Peace Camp Ottawa, Multi-Faith Housing and the campaign to expand the mandate of the Canadian War Museum to include the creation of a culture of peace.  

Come and participate with the choirs and dancers in this multi-faith, multi-cultural extravaganza for peace.  Support our children and students as they roar for peace prior to the Peace Awards ceremony.  Enjoy the kitchen fare provided by retail outlets and restaurants throughout the city.  Bid for bargains from the silent auction, be sure to make a donation as the day is free of charge and browse the tables set up by peace, activist, environmental and yoga groups.  This is not a day to be missed.  Mark it on your calendar – Saturday October 21, Ottawa City Hall, 10.00am – 4.00pm: Peace Prayer Day Ottawa 2006.  www.friendsforpeace.ca

Photo: Faris Ahmed

 


Posted: November 2, 2006
True North press release

True North Artists Come-up Big In 2006 Canadian Folk Music Awards Nominations

November 2, 2006 - True North Records has come-up big in this years Canadian Folk Music Award nominations with a total of eight nominations.

Bruce Cockburn has been nominated for four Canadian Folk Music Awards - Best Songwriter, Best Contemporary Singer, Best Solo Instrumentalist and Best Solo Artist.

Stephen Fearing has also been nominated for four Canadian Folk Music Awards - Best Contemporary Album, Best Contemporary Singer, Producer of the Year and Best Solo Artist.

To send congratulations to Stephen Fearing please go to his MySpace Page or post your comments below.

To send you congratulations to Bruce please post your comments in our blog.

Congratulations to both Bruce and Stephen from everyone at True North Records.

To see all of this years' nominees go to the following link here.

 


Posted: October 27, 2006
Richard Hoare investigates the possible lyrical interpretation of Bruce Cockburn’s song, Twilight on the Champlain Sea.
 27th October 2006
 
Artist: Bruce Cockburn
Song: Twilight on the Champlain Sea
Lyrics Written: No date available
Media: Download on iTunes Canada
Released: 18th July 2006
Duration: 5mins 23sec
 
Musicians:
Bruce Cockburn – guitar & vocal
Jon Goldsmith - electric piano
Gary Craig – drums
David Piltch – acoustic bass
Ani DiFranco – background vocal  
 
This is Cockburn’s first legal download only song and what a subject matter to pick. From a track sequencing, sound and lyric point of view this song would probably not sit well on the 2006 CD release Life Short Call Now. Cockburn would seem to have bared his soul in song over the loss of his relationship with fine artist Sally Sweetland, not something Bruce normally does with such apparently specific identifiable references.
 
The Champlain Sea was a temporary inlet of the Atlantic Ocean, created by the retreating glaciers during the close of the last ice age. The sea included lands in what are now the Canadian provinces of Quebec and Ontario, as well as parts of the American States of New York and Vermont. In the early part of this decade Bruce lived in Quebec (Montreal) and Sally lived in Vermont. In between these two locations is modern Lake Champlain which was formed when the ice melted.
 
The song structure adopts a slow sparse jazz feel starting with Bruce on sedately paced acoustic guitar. “River that flows where there used to be sea” is probably the Richelieu River which flows north to drain Lake Champlain into the St Lawrence River. The French explorer Samuel de Champlain was the first European to reach the mouth of the river at Sorel in 1609. “Just these shells you dig up where there used to be trees” is likely to be fossils, the modern evidence of the sea and the existence of ancient shorelines in the former coastal regions. Bruce then changes lyrical tack to lament life’s dysfunctional conversational problems with people in life that he wants to get to know.
 
The second verse starts with “Sun goes off the water,” a reference to twilight that appears as the sun goes below the horizon. The lines “There’s a cloud of witness in the houses, hills and passing cars, The cameras, cops and voyeurs who all want to be pop stars” may be a reference to the town of Woodstock, Vermont where in addition, Sally exhibits her work. The lyrics continue with more heavy irony. Cockburn refers to his partner as “baby” (a word he has mentioned in past interviews as not being his style), the angle of his equipment and has a dig at Sweetland referring to his love of the sky. Bruce apparently responds by sending up his being “an air sign” (Gemini) by creating floating vocals with Ani Di Franco!
 
Jon Goldsmith relieves the tension with a beautiful electric piano break not unlike Banana’s playing in The Youngbloods.
 
The third verse starts with